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Here’s an engineer who makes music (Mano Murthy)

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Published: Monday, Jan 31, 2011, 12:17 am IST
By G S KUMAR | Place: Bangalore | Agency: TNN; Times of India

Mano Murthy
It was December-end 2005. Music director Mano Murthy was getting ready to leave for the US. Suddenly, he got a call from director Yograj Bhat, who wanted to know whether Mano Murthy was ready to direct the music for his next movie, which he wanted to shoot with fresh faces. The soft-spoken music director told Bhat he would contact him after landing in the US. Promptly, Bhat got a call and for nearly eight months, tunes and lyrics were tossed about in discussions over phone and email.

The movie was Mungaru Male. While Bhat was busy shooting, Mano Murthy worked on the music. It was only during the re-recording stage that Bhat and Murthy met, and finetuned the music. Not even during the pre-release screening did anyone dream that Mungaru Male would be a trendsetter in Sandalwood. The rest is history.

While Yograj Bhat emerged as a director with a vision, Mano Murthy gave a new lease of life to the Kannada film industry with his excellent tunes.

Though settled in the US with his wife Lata Murthy, son Nevin and daughter Sonia, Mano visits Bangalore regularly for his music assignments. "I am not alien to Bangalore. I was born in KC General Hospital on January 13. I spent my life in Malleswaram till I completed engineering from UVCE.''

A visit to `Ashirvad', Mano Murthy's home in Sadashivanagar, gives a glimpse of his life and achievements. He stays on the first floor, while his 84-year old father Dr Y N Sathya Murthy, who was personal physician to the late Jayachamarajendra Wadiyar for two years, resides on the ground floor.

As you enter Mano Murthy's chamber, a huge painting hanging prominently on the wall catches the eye. It is done by his wife, Lata. The showcase is full of trophies and awards he has bagged, with a Filmfare trophy finding pride of place.

Mano Murthy did his schooling at Cluny Convent in Malleswaram, then joined St Joseph's Middle and High School, followed by National College, Basavanagudi, where he did PCM and joined UVCE to complete electrical engineering.

Mano was not a silent boy in his schooldays, and was quite intelligent in studies. "I had no patience to listen to the lessons. I enjoyed making strange noises in class and was often sent out often for mischief. I had a teacher called Ms Golmes in Cluny Convent. She liked me a lot. One day, when I wasn't paying attention, she took me to her room and locked me up. My grandfather, who picked me up from school, was surprised when he didn't find me and asked Ms Golmes about my whereabouts. The shocked Ms Golmes rushed to her room and released me, with sincere apologies to my grandfather. She had completely forgotten that she had locked me up for nearly five hours. She was very apologetic."

MUSIC IN HIS BLOOD

Mano had great interest in music right from his childhood. After getting admission into UVCE, Mano's father bought him a set of drums. "I started a band troupe called Sonics, and we performed at college functions. The lessons were self-taught."

His interest in music was so intense that whenever his parents took him to weddings, he would stand before the orchestra troupe, return home and play on tin boxes or table tops. "Listening to film music on Binaca Geeth Mala and Radio Ceylon was part of my life when young. That also inspired me to take to music."

A Hindi movie buff, Mano never missed a single Hindi movie in Majestic area. "As I was doing electrical engineering, we used to have boring drawing classes every morning. Class would get over by 10 am, after which we would bunk the next one and go to the movies. My all-time favourite star is Dev Anand. I have seen Jewel Thief and Guide more than 25 times. In fact, I want to have a photograph taken with him, and am trying to contact him through a friend."

Mano's date with Sandalwood began in 1996 when director Nagathihalli Chandrasekhar was in the US to screen one of his movies. He was also looking for new faces for his next venture, America America. "I met him and showed him some of my music albums and played some scratch tunes. He was impressed and asked me to work for America America. It was a big hit. Later, I did the music for `Nanna Preethiya Hudugi...' and `Car Car...' became a household song. In 2003, I produced `Preethi Prema Pranaya'. I never will produce a movie again."

Mano has directed the music for 23 movies so far, which include Milana, Cheluvina Chithara, Geleya and Ee Bandhana. The music of Pancharangi, directed by Yograj Bhat, is recorded on Latin instruments. Mano has a handful of films in hand, which include Life Ishtene, Parijatha and Mr Duplicate. He bagged the Filmfare award for Mungaru Male and Milana.

JAB THEY MET

His better half, Lata, is a painter. They married in December 1979 in Malleswaram. "My grandfather and Lata's uncle were very close friends. He had told her uncle about me and asked them to meet me along with Lata. It was a casual visit with no intention of a wedding proposal. When they came home, I took Lata to Lalbagh and while returning home, asked if she was ready to marry me. She was shocked. Later, we told our parents."

Lata, an MBA graduate, has taken up painting as a hobby. She is also an expert in pottery and ceramic works. "One thing I appreciate in Lata is that she gives away paintings as gifts to anyone who appreciates the art. We have a collection of around 20 paintings at home. After composing music for Anisuthide and Mungaru Male, I made Lata listen to the tunes. I was wondering who was the best person to sing the songs, and Lata suggested Sonu Nigam's name."

Whenever Mano Murthy returns to the US, he carries a big bag of condiments, which include happala, sandige, raagi flour, hurigaalu and Dharwad pedha. "My wife insists that I bring these items from Subbamma's shop in Basavanagudi.''

For those who want to know more, Mano Murthy's full name is Manohar Murthy. "When I went to the US in 1982, I cut out `har' to make it easy for the Americans to pronounce my name. But despite that, they call me Mono or Myano!"

QUOTE

For me, music is synonymous with melody and is divine. It can bring back memories vividly. It is the best therapy for a healthy life. I consider it my life.

FOOD: Masala dosa, biryani, rajma and avarekayi saaru

PLACE: Mysore and Italy

FILMS: Jewel Thief and Guide

SINGERS: Lata Mangeshkar, Asha, Kishore Kumar, Rafi, Pt Shivakumar Sharma (santoor) and Zakir Hussain

POP GROUPS: Beatles, Simon and Garfunkel, America

TIME TO ROCK THIS SUMMER

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Published: Monday, Apr 17, 2011,
By Kevin Lobo | Place: Bangalore | Agency:Bangalore Mirror (Times of India)

Studies prove that learning music goes beyond having a fun hobby. Our experts tell you why your child should pick up an instrument this summer.

One of the best things about being a kid is the long summer break. While vacations must be used to travel and catch up with friends, it is also an opportunity for learning something new. Learning a musical instrument need not necessarily culminate with rock-god status. Studies show that playing an instrument can help your child in various facets of his/her life. Everybody is born creative, but many people don’t realise it because it’s not encouraged in their early years. We take notes from our very own Grammy-winning keyboardist Louis Banks and child psychologist Salma Prabhu on why an instrument should be learnt this holiday.

INCREASES IQ

A paper published in scientific journal Nature concluded that studying a musical instrument strengthens students’ academic performance. Prabhu feels this stems from the fact that playing music uses both your rational side (left brain) and your creative side (right brain), thus increasing the IQ. Banks adds, “Children have an amazing capacity for mastering new skills, so it’s a good idea to give them the challenge.”

CALMS MOOD SWINGS

Your child can take the instrument anywhere and play it any time. There is actual scientific proof playing music elevates the state of mind. Prabhu says, “Playing music releases endorphins, the happy hormones. Regardless of whether you are sad or in a bad mood, playing an instrument will always make you feel better.”

KEEPS YOU ALERT

Banks says, “Learning an instrument keeps your brain alert.” The pressures to excel academically are intense. A recent US study shows that playing a musical instrument can reverse multiple components of stress. Engaging in a calming expressive ability proves more

effective than merely sitting

down to relax. Prabhu says, “Music calms the nerves and stimulates the brain. It also increases the ability to absorb more information.”

INCULCATES DISCIPLINE

According to Banks, learning chord progression is more difficult than it seems. It requires hours of practice and rigorous discipline. With short attention spans, learning music inculcates a sense of discipline and helps improve the child’s focus by leaps and bounds.

EASES TRANSITIONS

A musical edge helps in school and college. Figuring how to play that song not just elevates shaky adolescent self-esteem but gives a sense of accomplishment. Prabhu says, “This is true transitional phases — from fourth to the fifth standard, childhood to pre-adolescence and adolescence to adulthood. Playing an instrument gives a sense of identity. On an average, in a class of 40 children, only three or four pursue music. So it makes you stand out.” Banks feels that parents must encourage their children’s efforts. He adds, “Playing an instrument teaches the benefits of teamwork. A group playing a song together promotes bonding, friendship, healthy competition, respect and self-belief.”

WHERE TO LEARN

» Eastern Fare Music Foundation, 1st Main, 1 Block Koramangala, Ejipura. Ph: 41570279
»  The Bangalore School of Music (BSM), No 8, CBI Main Road HMT-HBCS Layout, RT Nagar. Ph: 23536090, 23546090
» Nathaniel School of Music, No. 4, MG Road, (Near Manipal Center). Email: music@nathanielschool.com
» Urban Raga, No.1, 2ND Floor, Kundanahalli Gate, Srinivas Reddy Building, Whitefield. Ph: 66494730

Juhi at a musical do in Bangalore

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Published: Tuesday, Apr 26, 2011,
By TNN | Place: Bangalore | Agency:The Times of India

The rain could not stop Bangalore's die-hard rock fans. Even though it was pouring cats and dogs, metal lovers came out in droves to hear Dani Filth growl and scream.


Cradle of Filth

It was the night when 'Pravogue Live Mad' brought Cradle of Filth to the city to give Bangaloreans a taste of death metal. Belting numbers from their latest album Darkly, Venus Aversa, the band gave the crowd just what they had come for. With their goth make-up and Paul and James doing their thing on the guitars, while spinning their long hair, it was a perfect night for head banging.

Even before the band took the stage, the crowd went berserk, screaming for their idols to take them to the belly of hard-core music. As is wont with metal heads, guys and gals came in black metal tees, displaying their love for the genre of music. And the band did not disappoint. Belting numbers like Lilith Immaculate, Cult of Venus Aversa, Eleventh Hour, Forgive Me Father and I Have Sinned, the crowd were not only playing air-guitar and drumming in the air, to the beat of the song, but they were also mouthing the lyrics word-for-word. For a few brief hours at Palace Grounds, the band members of Cradle of Filth were the gods of the night.

Speaking at the event, Salama Yamini, head IMC said: "We at the Indian Music Conference plan to bring more international bands this year for IMC 2011. The event was promoted and produced by Spotlight Event and Entertainment Pvt Ltd."

Samar Singh Sheikhawat, senior vice president, marketing said: Kingfisher has always pioneered in bringing the best to its consumers. Kingfisher Premium has a long standing association with music being one of them. Through our association with powerhouse performances by bands like Cradle of Filth, we intend to extend bundles of cheer and good times to our fellow Bangaloreans."

BT also caught up with Sanjay Suri, Juhi Chawla and Onir backstage enjoying the music. Though, not a big fan of the genre, Juhi sportingly did headbang, saying the music reminded her of her college days.

Shop for music rights

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Published: Tuesday, Jul 16, 2011,
By Express News Service, The New India Express | Place: Bangalore | Agency:IBN Live


BANGALORE: “The music industry loses more than Rs 200 crore per year due to ‘mobile chip piracy,” said Savio D’Souza, General Secretary of Indian Music Industry (IMI), addressing the media in Bangalore. He is also the CEO and vice president of Music Mobile Exchange (MMX), a programme that helps the mobile stores to sell music legitimately.

In an industry-based initiative the IMI has conceptualised something known as the ‘MMX licence.’ Digitised music can easily be copied from any storage device like computer hard disc or USB drive and mobile phone with stored music into the built-in memory of a mobile phone or memory cards or chips which can be further distributed to other phones. When such violation is done for commercial gain without the permission of copyright owners it is the violation of Copyright Act 1957 and is termed as ‘Mobile Chip Piracy’. By opting for the MMX licence, given by the them, shopkeepers can become legitimate music right holders and sell music without violating the Copyright Act, pointed out D’Souza.

The licence can be taken for a period of one to three years at a minimal cost which ranges from `500 to `5,000 per month per computer depending on the kind of shop and location of the shop. �

Music on mobile phones is a very big market and includes products like ring tones, true tones, ring back tones, full song mobile downloads, music videos. Collection of the licence fee by IMI is done on yearly basis. The IMI claims, through its own independent survey, that an average shopkeeper earns a minimum of ` 7,500 to `12,500 by music downloads and other music applications thus making the licence fee a reasonable amount for the shop owners.

Today, there are around 142 music labels associated with IMI. Focusing on the emerging mobile chip piracy IMI conducted more than 1,000 raids in India in 2010. They have conducted more than 150 training programs with the police, judiciary and public prosecutors.

“The MMX program has been implemented in Andhra Pradesh, Punjab and West Bengal with positive results. Now we want to expand it to Karnataka too. The work will be done in phases. On July 4 we conducted our first raid on the Internet and caught a man selling music through his website. We carried the operation in association of Bombay Cybercrime Cell. We want the local companies to benefit from this program, specially the ones producing regional music. But we have to build capacity and create awareness on a very large scale,” said D’Souza.

Breaking all barriers with music

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Published: Tuesday, Aug 09, 2011,
By Express News Service, The New India Express | Place: Bangalore | Agency:IBN Live

Forum Mall, Koramangala set the city on fire with Break Free — The Ultimate Music Fest. An initiative of the mall, the fest was aimed at providing a platform to encourage budding musicians.

The four-day long gala saw music enthusiasts from all over Bangalore leaving the audience and judges equally spell-bound with their gripping performances. The city’s best emerging artistes and bands were overwhelmed by the opportunity to flaunt their flair and be judged by the best in the music industry. The first day of this four-day long festival, had taken off with the classical music auditions and breathtaking performances by Krishna Prasad, Ragavendra, Anuradha and Akshatha, won musical guru Padmanabhan’s heart, securing them berths in the final.

“By granting these upcoming musicians a stage to showcase their talent, Forum Mall has undertaken the noble endeavour of promoting classical music”, mentioned R K Padmanabhan.

“I wish the contestants all the best in future and hope Forum Mall would carry on this initiative, every year,” he added. World music and fusion was the theme of the second day and the musical feats left judge Amit Heri convinced that ‘Namma Bengaluru’ has no dearth of talent.

Bands Fused and Rhythmic Energy broke through to win a chance to perform at the grand finale. The third day of the musical fest was dedicated to rock music and the awe-inspiring feats impressed rock maestros — Galeej Gurus, who adjudged the competition. The end of the day, crammed with full blown performances, saw Hungry, Distortion Culture and The Roll Call advance to the final.

The grand finale of the competition granted the best talents from all genres of music, an opportunity to perform before the guest-ofhonour Lucky Ali. The man with the velvet voice also graced the occasion with his soulful numbers O Sanam and Sunoh.

“This has been a tremendous opportunity for youngsters to showcase their talent.

The challenge is not merely in winning but more importantly, participating with faith in one’s self. Music is always from the heart and can only express fine emotions”, says the musical legend.

“I congratulate Forum Mall for organising this music fest and aptly calling it Break Free because it is only when you follow your own path, that you can reach out to like minded music lovers”, Lucky Ali adds. The music maestro broke-free with the best bands in Bangalore After some enthralling performances and cutthroat competition K V Krishnaprasad, Rhythmic Energy and Hungry; emerged victorious on the day and seized the trophies in their respective categories along with the chance to exhibit their talent live on the city’s music station Radio One.

The prizes also included watches from Titan and a one day workshop to learn Logic Studio, one of the most the preferred music production software for composers and artists worldwide.

I Don’t Like Listening to Music - Lucky Ali

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Published: Monday, Sept 17, 2011,
By Darshana Ramdev | Place: Bangalore | Agency:The Times of India

He's tried his hand at organic farming in New Zealand, bred horses and has became father again. But a visit to Lucky Ali's house will leave you very sure of one thing - it's music that drives him.

Lucky Ali (Photo - Vineet Radhakrishnan)
All set for a 25-city tour to promote his new album, Lucky is in high spirits as he and his band rehearse together in his Bangalore home. "This album is a compilation of all the work we've done over the years. I'm performing with musicians I have worked with for many years now. We all began our careers together," says Lucky.

When an established and respected musician like him chooses to go against the grain and release his album independently, eyebrows will be raised. What spurred his decision to go indie? "As musicians, we have our own comfort levels and often, with bigger companies those levels are not met," explains Lucky, adding, "There are so many overheads, promotion is limited and they want to take complete control. Musicians have to give away as much as half their earnings to record labels."

Lucky has had a bone to pick with the music industry and Bollywood over the course of his career. "I'm not complaining, but the music industry in India doesn't pay much attention to the artist. It is very dependent on Bollywood. The public saw through that soon enough. All we want to do is reach our music to the masses, so we decided to give it away for free. We hand out CDs at every concert, instead of tickets."

The conversation veers back to his music and his latest album. What kind of sound did they find themselves adopting? "We don't want frills," says Lucky firmly. "For me, it's more about the silence that follows each note, not just the note itself. But this album has elements of everything - it's anthemic, balladic and jazzy at the same time. It's very serious music."

Ask a musician about his influences and he will produce a lengthy list at once. Lucky refuses, however, saying, "We don't even have a music system at home. I just don't like listening to music. There's so much extraneous noise anyway, I just want to shut that out. If I'm in a car with someone who likes the radio on, I tell them to turn it off. But I do like the sound of something nice, it just doesn't have to be the format of my life."

During his travels across the world, did he meet many interesting musicians along the way? "A few," he agrees. "I saw The Police perform live, but that was when I was a kid. I've picked up a few things - a riff here and a groove there. Some sounds just make an impression. For me, it's more about making music, about finding the melody and expressing myself. It's all there, really. It's all been done before."

If Lucky was to break out of his musical fortress and do something different, what would it be? "I'm an uneducated musician," he admits, "But the people I work with are highly trained."

Bangalore Experiences Music Like Never Before

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Published: Monday, Oct 25, 2011,
Place: Bangalore | Agency:IBN Live

The power of music brings people from any generation, culture, caste, creed and age together. Be it in any form or genre, music unites everyone. The Storm pre-festival bash was celebrated on October 22 at Sutra. The opening sets was played by DJ Sash and DJ Chaz, after which DJ Pearl took over the console cranking up the sound system with phenomenal tunes, giving the crowd a taste of what is yet come during the Storm Festival.

DJ Pearl also gave away passes for the Storm Festival to a few lucky ones. The presence of well-known Djs like DJ Tuhin Mehta, DJ Inferno, the organisers LiquidSpace Entertainment, artist organisers Submerge and The Syndicate together with the music lovers of Bangalore made the night special.

Storm Festival is one of the most authentic annual 48 hour camp-out music festivals in India, to be held amidst a breath-taking 22 acre expanse of lush green natural setting, in Napoklu, Coorg.

A brain-child of Liquidspace Entertainment Pvt Ltd, Storm Festival will showcase an eclectic mix of dazzling electronic music and bands. The festival promises to stir up the urge in you to enjoy the music and the adventure. The festival will have multiple DJs from across the globe to keep your feet tapping and top bands from India to fill with different flavours of music. Enjoy the serene beauty of nature along with heart thumping music, adventure and camping experience to get you of the daily grind and mundane.

With a strong conviction towards preserving the environment, team-Storm takes the concept of responsible tourism experience” to a new level. With eco-friendly venues, a thoroughly enforced ‘no-plastic’ fun zone and innovative anti-pollution techniques, Storm Festival promises to fulfil the green-cause. The festival is a total “drug- free zone” and has a zero tolerance policy against those who breach it. The campsite and the concert area is surrounded by water on all three sides, which gives a serene feel and make you feel one with nature.

Metallica rocks Bangalore

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Published: Monday, Nov 01, 2011,
Place: Bangalore | Agency:Hindustan Times


Rock music frenzy swept the sprawling Palace Grounds in this garden city where heavy metal band Metallica gave its first ever live performance in India, putting the fiasco over Friday's cancelled Gurgaon concert behind.

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four-member American band's performance on Sunday, chanting Metallica braving sharp showers that pounded the city for more than an hour in two spells.

The performance, which was to be the second for Metallica in India, turned out to be its maiden show following the abrupt cancellation of its concert at the Leisure Valley in Gurgaon on Friday over "security issues".

Four organisers from the event management company DNA Networks were arrested on charges of breach of trust and cheating, a day after the event was first deferred ostensibly due to technical hitches and then cancelled.

The sudden cancellation of the eagerly-awaited event provoked a section of 20,000 fans to vandalise the venue.

But there were no glitches in the band's performance here today, as guitarist Kirk Hammett, drummer Lars Ulrich, lead vocalist Jamesh Hetfeild and bassist Robert Trujillo regaled the packed audience.

The organisers of the Vladivar Rock 'N India took caution to ensure that the concert passed off without any glitch. More than 1,000 police personnel were deployed on security duty.

About 22,000 tickets were sold for the concert, according to organisers.

As music buffs poured into the venue and began to take vantage spots to witness the dazzling show of the popular band, clouds opened up in the sky.

To keep the large gathering engaged, two bands - Inner Spectrum from the city and Guillotine from New Delhi - did a opening act and glued the drenched fans to music for more than 90 minutes.

The crowd erupted in joy when Metallica took the stage to play some of their hits much to the delight of their fans.


Eastern Fare Rocks the Trinity Guild Hall Exams

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Published: Tuesday, Dec 15, 2011,
By Staff Reporter | Place: Guwahati | Agency:Times Of Assam

Assamese musician Jim Ankan Deka, Bangalore
Jim Ankan Deka with students
The students of Eastern Fare Music Foundation have demonstrated brilliant performance consecutively for the third time in the annual graded examinations for Western Classical music conducted by Trinity Colllege, London.

All the students at the institution that appeared for the examination conducted in Good Sheppard Institute in October, 2011, maintained an average of above 80 per cent. Among all, Anubhab Sett (99%), Vibhav S. Kalaparthy (94%) and Rishee Ramesh (94%) are the toppers. The students will receive certification from Trinity Guild Hall, London.

Eastern Fare Music Foundation is an establishment in Bangalore, India, founded by an Assamese musician Jim Ankan Deka. He is the first Assamese to open a music institution and a production house in Bangalore for music lovers and aspiring musicians to hone their talent. The ages of students in the institute vary from 5 to 70, seamed together with a common zeal and love for music.

Apart from focused training on Guitar, Keyboard and Piano, the institute also provides theoretical knowhow as per the curriculum set by Trinity Guild Hall, London.

As an extension, Eastern Fare will soon be launching a new branch in Guwahati for the benefit of the music lovers in the North Eastern region of India. The facility would encompass a state of the art recording studio, a jam room and an editing suite for students and young musicians to produce demos.

Jim Ankan Deka, Director of Eastern Fare, is currently collaborating with prolific Carnatic musician Suchethan Rangaswamy for an upcoming fusion project Timeless. The album is essentially a collection of instrumental tracks composed mostly with guitar and veena and will be available by January next year.

Music, dance and Crackers Greet New Year in Bangalore

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Published: Tuesday, Dec 15, 2011,
Place: Bangalore | Agency:Manorama Online

Photo - Jim Ankan Deka
Bangalore: With foot-tapping music, drum beats, dance, wild cheering and a burst of crackers, as the clock struck 00.00 hours, Bangaloreans greeted 2012 in style.

Like every year-eve the popular youth hangouts of M.G. Road and Brigade Road were swarming with hundreds of youngsters from 8 p.m. itself and cheering and whistling reached a crescendo as 2011 faded into history.

Scores of foreign tourists also joined the crowd and tried to match the dancing steps to a cocktail of Kannada and Hindi movie songs played on hundreds of cell phones.

Fortunately for the young crowd Cyclone Thane which had threatened to rain out the celebrations spared the city Saturday. Though it was cloudy throughout the day, there was not a drop of rain, unlike Friday when it drizzled the whole day and well into the night as well.

The exuberance of entering the New Year was visible at posh hotels and private parties as well as scores of high rise apartments that are dotting the city after it became the nation's IT hub in late 1990s.

Pubs, that otherwise down shutters at 11 p.m., were crowded as government allowed them to remain open till 1 a.m. to facilitate revelers to usher in the New Year in high spirits.

Over 16,000 policemen, a few hundred of them in civvies, were deployed in central business district, where M. G. Road and Brigade Road are located, and in Jayanagar in south and Malleshwaram in north, the two other localities that saw hundreds of youths on the streets to greet the New Year.

Far away from the crowd were 1,300 youngsters from various parts of the country who welcomed the 2012 in silence.

The programme to greet the New Year in silence and in meditation was organised by spiritual leader Sri Sri Ravi Shankar at his ashram (complex) about 25 km south of city centre.

Candid Chat with Bruce Lee Mani of TAAQ

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By Parmita Borah | Published: Tuesday, Oct 11, 2011,
Place: Bangalore | Agency:EF News International
 
Bruce Lee Mani
There’s nothing much to say about Thermal and a Quarter that hasn’t already been said. Their journey has been long and fulfilling from their Christ College jam room to being revered as one of the best indie rock bands. The extremely talented and witty Bruce Lee Mani, lead guitarist and vocalist of Thermal and a Quarter tells Parmita Borah about his musical journey across a decade and a half.

Parmita Borah: Anyone who visits Wikipedia knows the history behind the name Thermal and a Quarter. Your name Bruce Lee Mani - What’s the history behind it?
Bruce Lee Mani: (laughs) Well, my father was a big fan of Bruce Lee and I was born around the time when “Enter the Dragon” released with great fanfare in Bangalore Theatres and he decided to call his son Bruce Lee and Mani, because we happen to be Palakkad Iyers and I carry my Grandfather’s name which is Mani. It gets a lot of laughs from many people, and it gets us through airport immigration very quickly because the mood gets lightened when someone called Bruce Lee shows up at your window and it ensures that people don’t forget me very easily.

PB: So do you know any of Bruce Lee’s moves as well?
BLM: I didn’t have the place to study Wing Chun Kung fu in Bangalore back in the 90’s or 80’s but I did study some Karate and I infact do hold a blue belt in chokushin taekwondo.

PB: Not many people know that I am sure.
BLM: No! (laughs)

PB: Thermal And A Quarter has essentially been a three piece band, but you’ve had a lot of talented musicians playing with you.
BLM: That is correct. Since we started in 1996, a lot of great guys have passed through the band, but it has essentially been, at the core, a three piece band. I don’t think I can’t actually go into all the names of the people who have been here and there are various websites and blogs where those things are discussed but I must say that all the guys who’ve passed through definitely lent something to our sound and it's part of what we call our evolution and we are still evolving, I hope. We are still growing and learning how to play our instruments better and express ourselves better and get the sounds in our heads out there.

PB: Shut Up and Vote and Kickbackistan are two very quirky takes on voting and graft. How did you come up with those two songs?
BLM: Well it’s funny that you mentioned these two but they are only two more on a long list of socially relevant songs that we’ve written. This goes back all the way to in 1998/99 when on our first album we had a song called ‘Humpty Dumpty’ which was quite pointedly dedicated at a certain portly politician from Tamil Nadu who at one point almost brought down the government by having too many shoes or something like that. But it was from then on we’ve always sort of tried to respond to things that are going on around us. Also because in the late 90’s as a band that was writing music in English, as one of the few bands that was writing and releasing music in English at that point. The first accusation level against us by critics and friends alike was “Oh you guys are just doing what the west has done years ago and so on”. When we were trying to form a new expression, looking at things around us, I mean our songs are completely Indian, our perspectives are Indian-our stories are Indian- the idiom is western. We play guitar, bass and drums and we sing in English, but that doesn’t make it less of an Indian. So at that point it was almost a religious fervor that I must say that we try to write about all the things that were going on around us, because that’s where our music should come from. So Shut up and Vote and Kickbackistan are just further down from quite a long list of socially relevant songs. So I think in whatever small part we played, we did change something.

PB: You did mention that just because you write songs and sing them in English, doesn’t make you less of an Indian. Have you had critics or fans requesting you to sing songs in Hindi?
BLM: Not any more, because we have been doing this for 15 years now and I guess people have gotten used to the fact that ‘These guys can’t speak any other language’. The naive figures have given up on us, the progressive thinkers have sort of embraced us, I think. People who are discovering us are seeing us a one of sort better known bands among a sea of other bands who are doing the same thing.

PB: You have done a lot of international tours - you have performed in Glassgow, London, Dubai and Bahrain.
BLM: Honkong, Jakarta, Maldives, Singapore (laughs)

PB: So how different are the audiences in these venues. Are they any different for that matter?
BLM: I would say that there is a greater amount of maturity in terms of audiences, abroad, simply because they have had a longer history of live performance culture. If you go to Glassgow or London, you’d have, I don’t know, fifty gigs every night no matter what day of the week it is. So live music is part of their culture and this live music can be anything. It can be anything from completely abstract jazz to top forty covers, there are bands doing everything. There are no strange issues like we have here, where suddenly the cops will bust you because you are doing western music or something else that doesn’t fit with the local morality or some nonsense like that. You don’t have those issues, because for some reason those societies have evolved beyond that. They have a whole set of different problems, but atleast for working musicians like ourselves-we can go and perform to an audience and that its taken pretty much at face value, in the sense that it’s your music that’s more important. If you play well, if you have good musicianship and if you have good songs, you’ll be appreciated. The first time we went to UK, people said that ‘nobody will listen to you if you don’t have a sitar or tabla. You’re coming from India, what’s this nonsense, why are you going to play our music to us?’ But the point is that when we played our music was so different from the local rock that was being played there, they thought us as exotic anyway, even though we didn’t have a sitar or a tabla. It’s just that because of who we are and the kind of music we play, we were already exotic and we were already different and we were appreciated for that.

PB: I couldn’t agree more. You guys are really huge on the internet. Is that part of your ‘Do It Yourself’ policy?
BLM: I think coming up in Bangalore, which is sort of spoken of as being the IT hub of the country (I don’t know if it still is, but think at one point it really was) we were growing up with a lot of technology around us, growing up musically. And we had a lot of friends who worked in top notch international Information Technology companies. So in terms of working with technology like bit-torrent and sharing, having your own website or keeping a blog or selling your music online or distributing it for free. I think the technology came pretty easily to us and from the beginning we sort of embraced it and we think it was a new way forward, especially for an independent band that was not signed to a record label, so from the beginning we’ve been pretty keen on pursuing it. We tried to have our own sort of inimitable fashion because it’s not like we were born in the cusp of technology of anything like that. It’s just that we’ve tried to use it to the best of our ability because a Do It Yourself model like us which-it’s exactly what it means, you have to do everything yourself and between doing gigs and paying bills and keeping your cool, whatever time is left, you know, we spend on doing this.

PB: In your last album ‘This is it’ you’ve worked in A R Rehman’s Studio with Multiple Grammy Award Winner Jeff Peters.What was that like?
BLM: That was incredible. We’ve always tried to take every succeeding album a big step forward, in every possible way. Our first album was thermal and quarter.com which was recorded for a really small amount of money, the second album Jupiter cafe was done with much better production values, a better design, everything was a big step forward. Plan B was another big step forward; it was mixed at Ramoji Film City, Hyderabad. This is It had to be an international product, and that’s why we decided to work at A. R. Rehman Studios. Through a couple of friends we managed to get Jeff Peters interested in the project and he came down and worked with us in Chennai for almost 15 days. It was great having someone like him with so many years of experience behind him, working with huge names in international rock-people like Ringo Starr from the Beatles, UB40, the beach boys-his credit includes so many amazing musicians and to have his perspective on our music was great. It was not just helpful, but also showed us a way forward of what we could do with our music.

PB: So the first album was Thermal and a Quarter and that was way back in 1999. I understand the production values were lower production values. So how did you get the record deal?
BLM: That was a very easy record deal because there was no record deal. The record deal was ourselves! There was no company involved. The company was our own. So we recorded it, we mixed it, we went to the CD printing press and printed out the CDS, we went to the printer and printed out the jackets, we packed the CDs in the jukeboxes, we wrapped it in plastic and we went out to the colleges and sold it. So there was no company involved, it was us, it was completely Do It Yourself. It was very hard but it also taught us the entire process from end to end.

PB: When you came up with the first album that was a time when Bollywood and Remix Videos were ruling the music scenario. So was that a challenge to get acceptance as a new upcoming band that was not doing covers?
BLM: Ofcourse, we’ve been booed off stage several time. Like I said, when the audience isn’t used to watching many live bands, when they get a chance they want to hear familiar things, things that make them happy, to come out and have a good time. It’s only when there’s so much of it going on people start thirsting for something new. So back then we were being adamant and saying ‘No, we will be playing only our songs, even if you’ve never heard them on the radio, even though may not even like them because you are hearing some strange time signature’. We just went ahead and played them because that was the only way for us to get music out. Definitely it was an uphill battle, but you’ve got to persevere. If you are really serious about writing your own music and getting it out and making people listen to it, you’ve got to keep doing it. Eventually you start to get a following if your music is good enough and it strikes a chord with the people. You can get people who like your stuff; who want it, who come to shows and ask for your song. When that starts happening, you know you are doing something right.

PB: Do you endorse or recommend any brand ?
BLM: Gibson has given me a guitar, so you could say that I am a Gibson endorsee. An American brand of strings called La Bella has recently signed me on as an endorsee. Now that’s become a great thing for musicians in this country where big brands are looking out for them and making sure that their stuff is being promoted by helping musicians out. So I think it’s a great thing.

PB: Indeed, that’s a great piece of information for Indian musicians. What about your favourite Indian band?
BLM: Among the Indian Band, I’d say there’s a band called Something Relevant from Mumbai, which we really like a lot. They’re a great young bunch of guys, great vibe, very happy positive vibe, very nice music, we like them a lot. Ofcourse, there are our seniors like Skinny Alley and Pink Noise whom we really look up to, because they have been in the scene for so long, and they are still pushing boundaries and doing new things. Those are the two names that come straight up.

PB: So from live music to teaching music, tell us a bit about this initiative called Taaqademy?
BLM: Taaqademy is about a year old and it’s our way of giving back of little bit of what we’ve learned across the last decade and more. So it’s just seems to make sense that all of us got together and opened up a little school where we could share the stuff that we’ve learned across the last few years of playing and so on. But also we put together a few things that bands really require in a city like Bangalore, which is a place to rehearse. We have a great rehearsal space, we also have a recording space. If you want to record a demo or an album- we can help you do that. So, Taaqademy is great for us and more people should join Taaqademy.

PB: We’ll sure put the word across. So Bruce, we have come to the end of our conversation. Before we wrap it up, do you have any words of wisdom for the readers of EF News International?
BLM: Words of Wisdom? Oh Boy! That’s a tough one. (Laughs) Well if you are musicians, just keep playing. I know so many musicians who stopped playing because they say they don’t have the time. They have jobs and families and so on. I don’t know, music is really important in so many ways. If you’ve been touched by it, keep doing it. Keep playing. Don’t stop playing and tell other people to go and play as well. It’s an amazing thing to do.

PB: Cool. Thank you once again for joining us.
BLM: Thanks

Adding their strings to the divine melody

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Published: Friday, Mar 30, 2012
By Sandhya C D'Souza | Place: Bangalore | Agency: Deccan Herald

Bangalore echoed with the melodious symphony created by 1,110 Veena artistes who performed on one platform in a unique concert titled ‘Sahasra Veena Jhenkara’ on March 28.

The first of its kind concert organised by Art of Living and Ranjini Kalakendra had Veena artistes from more than eight districts across Karnataka attempting to get their names registered in the Limca and Guinness book of world records.

Mangalore too contributed to this historic event with 50 artistes from Shree Vani Veena Vidhya Kendra in Kadri performing at the concert.

Speaking to City Herald, Vidushi S V Vaniraj who coordinated the Mangalore team says that the experience is beyond words.

“I was contacted by Ranjini Kalakendra Secretary Dr Suparna Ravishanakar about two months back. She requested if I could arrange a team from Mangalore. I assured to arrange at least 15, however, I managed to convince 50 artistes to perform at the event,” she says and adds that there were artistes aged 13-63 in the team.

Suparna had sent a CD with ancient ragas Hamsadwani, Sriraga, Mohana, Mayamalavagowla, Brindavani, Kapi, Dhanashree (Thillana), Yaman and a special composition of fusion music in Raga Malika which was to be performed at the event. “I trained my students accordingly,” said Vani.

“Practice was a challenge. We had limited time and all the artistes could not meet at the same time. Hence, I asked them to come at whatever time it is convenient to them. However, I ended up playing Veena for the whole day,” smiles Vani. She further adds that sometimes she took up classes on video chat messengers and solved doubts on phone by keeping it on loudspeaker.

“When the day approached, we all managed to meet on the terrace of one of my student’s apartment for the final practice. We hired two buses to take us to Bangalore,” she says.

“The event in Bangalore was a heavenly experience. All female artistes were draped in same coloured sarees, which were provided in advance. All men wore white kurtas. The stage was huge. We performed for more than one hour,” says Vani and adds that the results of the Guinness and Limca records are yet to come. The videos will be checked before the results are announced, she reveals. “It was a wonderful experience. It was like a dream come true. The event was organised with discipline,” says Besant College Lecturer Yogeshwari who also performed at the event.

“There were fewer men compared to the ladies. In Mangalore team, there were around 5 men. The experience will be memorable,” says Vani’s son Sai Danush who performed at the event.

About S V Vaniraj
S V Vaniraj hails from a family that has achieved laurels in the world of music. Her father S V Venkateshaiah started Shree Vani Sangeetha Vidyalaya in Bangalore in 1953. Vani was trained by R K Shreenivas Murthy and R K Suryanarayan. She has been teaching Veena for over 25 years. Recently, she organised an unique fusion ‘Nada, Nritya, Chitra, Yaksha’ at Kadri temple.

Here, Bharathanatyam and Yakshagana artistes performed for the music played by the artistes on Veenas. An artist painted the emotions created by the dance and music on canvas.

AR Rahman at a music event in Bangalore - TOI

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Published: Tuesday, June 5, 2012,
By P Sangeetha | Place: Bangalore | Agency:TNN (Times of India)

The stage was set and every one gathered was waiting to get a glimpse of one man: Oscar-award winning composer AR Rahman. And the man arrived in style indeed and stayed for around two hours at a music event in the city.

It was the first time that the Mozart of Madras had come to the Garden City for an event organized by the Kannada film fraternity and he was quite delighted with the proceedings. Youngsters shook a leg onstage to some peppy numbers, which set the mood for the evening.

Later, singers including Vijay Prakash, Shweta Mohan and Naresh Iyer enthralled the audience with their performances. Industry veterans like Muniratna, actorpolitician Ambareesh, actor Dwarkish, composer Hamsalekha and actor Ramesh Aravind took the stage to welcome Rahman and, needless to say, the musician was showered with praises by all. We also spotted actor Upendra with his wife Priyanka, as well as Jayamala and her daughter Soundarya.

The event had its hilarious moments too. When the emcee announced that producer K Manju's 'good friend' Muniratna would speak about the film, the audience burst into laughter. After all, Manju and Muniratna were recently at loggerheads over the release of their films. Similarly, when Ramesh Aravind was invited to talk about the film onstage, he sent Kannada actor Dwarkish up instead. Sudeep, who was one of the early birds, went MIA after some time. The event culminated with a tribute to the composer.

A new music video released by Eastern Fare

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Bengaluru, Karnataka, May 14, 2012 /India PRwire/ --There aren't enough words to surmise Nusrat Fateh Ali Khan's contribution to the world of Sufi music nor his limitless musical genius. There's certainly no way to replicate his six-octave vocal range or his meticulous compositions. "Tere Bin Nahi Ladga", recently covered by Rittwika Bhattacharya and Jim Ankan Deka, is an interesting rendition of the virtuoso's soulful melody. 

Ritwika Bhattacharya and Jim Ankan Deka (a still from the video)
'It's a humble tribute to the incredibly gifted maestro', the budding musicians from Bangalore had to say about their cover. Tere Bin Nahi Lagda was originally composed by Nusrat Fateh Ali Khan for the movie 'Kachche Dhaage'. It became a super hit in the late 90s. 

Rittwika's sufi styled vocals and Jim's incorporation of jazz elements don't simply echo Nusrat Fateh Ali Khan's original composition, but paraphases it as contemporary fusion. This is the second song by the musicians together, previously recorded the famous song 'Ganga' by Dr. Bhupen Hazarika. 

The music video of the song was released on the internet on July 22, 2012. The video is directed by Parmita Borah and shot at Eastern Fare Studio in Bangalore.

The song was recorded in Eastern Fare Studio in Bangalore (Eastern Fare Music Foundation) and was released online on May 13, 2012. The song is available for streaming on Reverbnation, Youtube and iTunes.

A musical evening at Costa Coffee, Koramangala, Bangalore

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Sunday, Aug 5, 2012 - Musicians from Bangalore Ritwika Bhattacharya, Prahlad Prasad, Anil CJ, Viswa and Kishan got together to throw a non-stop musical evening at Costa Coffee in Koramangala, Bangalore. With classic Hindi numbers to couple of Kannada songs made the evening quite pleasant for coffee lovers. We wished the settings of the venue could have been little different.

Ritwika Bhattacharya (Photo by Jim Ankan Deka)
Ritwika Bhattacharya (Photo - Jim Ankan Deka)
Anil CJ, Prahlad Prasad, Viswa and Kishan (Photo - Jim Ankan Deka)
Anil CJ, Prahlad Prasad, Viswa and Kishan (Photo - Jim Ankan Deka)
Anil CJ (Photo - Jim Ankan Deka)
Anil CJ (Photo - Jim Ankan Deka)
Prahlad Prasad and Ritwika Bhattacharya (Photo - Jim Ankan Deka)
Prahlad Prasad and Ritwika Bhattacharya (Photo - Jim Ankan Deka)


Bangalore-based Assamese musician Jim Ankan Deka releases new music video - MeriNews

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Published: Friday, Aug 18, 2012
Place: Bangalore | Agency: MeriNews

Jim Ankan Deka and Sharanya Sonu - stills from Xobdor Porisoy
Jim Ankan and Sharanya Sonu - from Xobdor Porisoy
Bangalore-based Assamese musician Jim Ankan Deka has launched his debut Assamese single 'Xobdor Porisoy' online, kicking off the upcoming launch of his album Timeless.

The music video, directed by Parmita Borah, talks about the magical clout of words that can connect even random strangers. The story in the music video is about two people who bond over poetry despite never having known each other.

"The lyrics of 'Xobdor Porisoy' just occurred to me two years back as I sipped a steaming cup of tea on a rainy summer afternoon. It was gathering dust tucked away in a diary for quite sometime when, after a gap of two years, I suddenly found it, and like an ex-flame, it stirred unspoken feelings inside me. I worked on the music composition for a couple of days and things fell into place," Jim recalls.

Although Timeless is his debut album, Jim Ankan is not new to the music world. Apart from live gigs and work in television, he is known for pioneering Eastern Fare Music Foundation, a state-of-the-art music institution in Bangalore, which has been producing some of the top ranking music students in the Trinity Guild Hall examinations since 2008.

The music video, Xobdor Porisoy, is the first Assamese language venture by the Bangalore-based production house ‘Eastern Fare Productions’. Eastern Fare Productions is a spinoff of Eastern Fare Music Foundation.

The multi-lingual album 'Timeless' is scheduled for an October release. Collaborators on this project include the melodious vocalist Ritwika Bhattacharya who has rendered her rich vocals for Tere Bin nahi Lagda and Ganga, and noted Carnatic musician Suchethan Rangaswamy with the beautiful and complimentary Veena for the instrumental composition Eastwards.

In the interim, the video has been made available online in websites such as YouTube, Dailymotion and Myspace.

American thrash metal band Slayer in Bangalore, India

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Slayer Bangalore Music Malt

Slayer the American thrash metal band has confirmed their first concert in India in October, 2012. 

Information
Tour name: Rock 'N India
Venue : "Bhartiya City" Thanisandra Road, Bangalore, India
Date : Saturday, October 20, 2012
Time : 04:00 PM

Tickets :Click Here

The festival "Rock 'N India", produced by DNA Entertainment Networks Pvt Ltd since 2008, has hosted some of the greatest artists in the world of International music. 

The Band
Slayer was formed, in 1981 by guitarists Jeff Hanneman and Kerry King. Till 2009 they have released eleven albums.

Current members of the band are Tom Araya– lead vocals, bass guitar, Jeff Hanneman– guitar, Kerry King– guitar and Dave Lombardo– drums.

Touring members are Tony Scaglione– drums (1986–1987), Gary Holt– guitars (2011–present), Pat O'Brien– guitars (2011).

- EFI-News

Enrique Iglesias in Bangalore

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The International singing sensation, Enrique Iglesias is back to India with his second concert.

Enrique Iglesias is a Spanish singer, songwriter and actor of Spanish and Filipino descent, popular in both the Latin market and the Hispanic American market in the United States. He is the son of the famous Spanish singer Julio Iglesias.

Within five years of beginning his musical career in the 1990s, he became the biggest seller of Spanish-language albums of that decade. He made his crossover into the mainstream English language market before the turn of the millennium, signing a multi-album deal with Universal Music Group for an unprecedented US $50,000,000 with Universal Music Latino to release his Spanish albums and Interscope to release English albums.

About the concert in Bangalore, India-

Date & Time: Sun, Oct 21, 2012 (6:00 PM)

Venue: NICE Grounds, Adjacent to Bangalore International Exhibition Centre, 10th Mile, Tumkur Road, Madavara Post, Bangalore.

Contact: 9535375399

Ticket Cost: Rs.Vip Rs. 15000. (15000)/- | Rs. Platinum (Next To Ramp) Rs. 8000/- & Gold Rs. 2500/-

For tickets Click Here

Lucky Ali and Joi Barua at Sadbhavna Bangalore 2012

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Lucky Ali, Joi Barua - EF News International - Pankaj Rajkhowa photography
Thousands of Bangaloreans flocked at the Audogodi Police ground on November 04, 2012 as a myriad of celebrated musicians came together for the harmony concert “Sadbhavna Bangalore 2012”. Known face from the Indian musical realm, Lucky Ali wowed the 30000 plus audience with his sensational performance. Amongst the others who graced the breezy autumn evening on November 4 with their musical genius included upcoming singers like Joi Baruah and Janki Parekh.

The mega peace and “Sadbhavna Bangalore 2012” was organized by the Assam Society of Bangalore (ASoB) under the aegis of Northeast Welfare Association of Karnataka (NEWAK). Jointly organized by NEWAK and Bangalore City Police, the event was an endeavor to assuage the fears of the Assamese and Northeast community people residing in Bangalore. 

Lucky Ali - EF News International - Pankaj Rajkhowa
Lucky Ali (Photo - Pankaj Rajkhowa)
Lucky Ali, Bangalore - EF News International - Pankaj Rajkhowa
Lucky Ali (Photo - Pankaj Rajkhowa)
Joi Barua - EF News International - Pankaj Rajkhowa
Joi Barua (Photo - Pankaj Rajkhowa)
Joi Barua, Janki Parekh - EF News International - Pankaj Rajkhowa photography
Joi Barua (Photo - Pankaj Rajkhowa)
Lucky Ali - EF News International - Pankaj Rajkhowa photography
Lucky Ali (Photo - Pankaj Rajkhowa)
- by Parmita Borah and Pankaj Rajkhowa

Guns N' Roses in Bangalore, India | Event

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Guns N' Roses live in Bangalore, India!!

Date -7 Dec, 04:00 PM (Friday)
Venue -Bhartiya City, Bengaluru.
Tickets -Click Here

From - www.deccanherald.com

American rock band Guns N’ Roses is planning a tour of India in November.
The heavy rockers, fronted by Axl Rose, have signed on to perform at the Palace Grounds in Bangalore November 7, reported contactmusic.com.

“It is true that we are bringing Guns N’ Roses to India,” said Raj Sinha, director of Rhapsody Inc., the company organising the Bangalore concert. “As of now, I can tell you that the Bangalore concert has been confirmed. We’re still in talks with people in Mumbai and Delhi, so let’s hope that works out. However, there is a good chance we can take the band to Shillong as well,” Sinha said.

Axl Rose has confirmed the tour. “DJ Ashba, their latest (addition), will be there. There will also be a person called Troy and two other members,” Sinha added.
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